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Siavash Amini - Till Human Voices Wake Us Album

Siavash Amini Ambient 2014

Performer: Siavash Amini
Album: Till Human Voices Wake Us
MP3: 2814 mb | FLAC: 2383 mb
Released: 2014
Style: Ambient
Rating: 4.2/5
Votes: 363
Category: Electronic

Siavash Amini - Till Human Voices Wake Us Album

Tracklist

Unreal City	4:45
Silent Seas	4:30
Corridors And Dreams	6:22
Yelena	3:40
The Violet Hour	7:28
The Chair She Sat In	4:45
The Fog	4:03
Shade Without Colour	5:44
The Phoenician	3:08
Yelena's Theme	2:30

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
UR061	Siavash Amini	Till Human Voices Wake Us ‎(10xFile, FLAC, Album)	Umor Rex	UR061	Mexico	2014
UR061	Siavash Amini	Till Human Voices Wake Us ‎(Cass, Ltd, Num)	Umor Rex	UR061	Mexico	2014

Album

Till Human Voices Wake Us - Siavash Amini. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Album 2014 10 Songs. 10 tracks 46:55. Siavash Amini is a musician and producer living in Tehran, born in 1987. He started playing guitar in 1999 and formed his first band with Hesam Ohadi in 2001. He started experimenting with computer music software in 2006 and composed music for films and theatre. Siavash along with two other artists released his first album, Spotty Surfaces in 2010 which was released by Mahriz Recordings. There is an emotional depth in each of Aminis songs, guided by tonal variations and blending grains that make his music a mental journey with landscapes and cold outcomes and the passivity of an ending that everyone expects at the end of this long road. Till human voices wake us is the first album of Amini in a non-Iranian label, and we are very proud to present it in Umor Rex. He is one of the most familiar faces on the experimental music scene in Iran, on the boil in recent years. released February 25, 2014. supported by 19 fans who also own Till human voices wake us. There's a lot to unpack here. Definitely worth multiple listens. Label Umor Rex. Catalog UR061. Till human voices wake us comprises ten tracks with an obvious and smart structural script, based on poems by T. S Eliot. Which highlights Siavash Amini's work as a composer for theater, film and art exhibitions. His music deliberately slants to the ambient statements - or Morricone's Western film scores. The different nuances of the syntheticdigital and the multilayered soul healing riffs of electric guitar create an opulent sonic texture ranging from the dramatic to melancholic moments, with a finely constructed and fluid dynamism. Till Human Voices Wake Us, 2014. Siavash Amini. Silent Seas, 04:30. The Violet Hour, 07:28. Corridors and Dreams, 06:22. Now playing . Till human voices wake us comprises ten tracks with an obvious and smart structural. Till human voices wake us is the first album of Amini in a non-Iranian. Till Human Voices Wake Us. Morr Music от лица компании Umor-Rex. Till Human Voices Wake Us is a 2002 Australian drama film written and directed by Michael Petroni and starring Guy Pearce and Helena Bonham Carter. Fifteen-year-old Sam Franks has returned from a Melbourne boarding school to his hometown in Victoria. He has an obvious affection towards a local girl, Silvy, who has a disability affecting her legs which requires a brace and prevents her from walking freely. This does not stop the two friends from enjoying each other's company, and they are virtually. Storm Leaves Us Quietly. Cancel anytime

Performer

Listen to music from Siavash Amini like How Far Can You Go When You Close Your Eyes, A Vision Without Contours & more. Find the latest tracks, albums, and images from Siavash Amini. Siavash Amini is a musician and producer living in Tehran, born in 1987. He started playing guitar in 1999 and formed his first band with Hesam Ohadi in 2001. He started experimenting with computer music software in 2006 and composed music for films and theatre. Siavash along with two other artists released his first album, Spotty Surfaces in 2010 which was released by Mahriz Recordings. His music is multilayered with micro beats, soul-healing riffs of electric guitar mixed with glitch sonic textures. Siavash Amini: Dragging The Harrow, A Vision Without Contours, How Far Can You Go When You Close Your Eyes и другие песни. Siavash Amini. Siavash Amini is a composerproducerguitarist from Tehran, Iran. His music draws from many genres and. My new album A Mimesis Of Nothingness will be out via Hallow Ground august 28, based on Nooshin Shafeei's brilliant photographs of Tehran, it's at once my most quite and harshest work. SIAVASH AMINI - TAR by Siavash Amini, released 09 June 2017 1. A Dreams Frozen Reflection 2. Rivers Of Tar 3. Face On The Sand 4. The Dust We Breathe Continuing his experiments combining elements of drone and modern classical music, Tehran based composer Siavash Aminis 4th solo LP TAR explores the fragile tensions between an individual and a collective subconscious. Includes unlimited streaming of SIAVASH AMINI - TAR via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ships out within 4 days. Rafael Anton Irisarri. The Faithless feat. Black as in Burst. 9T Antiope & Siavash Amini. A Vision Without Contours. Siavash Amini & Saåad. How Far Can You Go When You Close Your Eyes Siavash Amini & Saåad. Track Listing. First Came Their Shadows. The Beclouding. Shadow of Their Shadows. Welcome to Beatport. Beatport is the world's largest electronic music store for DJs. InFiné Music. Podcast 023 - siavash amini. This 23rd Podcast is a long cosmic ballad led by ethereal strings, airy waves and a deep sense of contemplation. Tracklisting and infos -siavash-amini. Iran Experimantal Drone Future Sequence

LØV€ YØỮ

Awesome record. lush soundscapes and filtered efx. But as cassette? huh I cant understand why label still put on this media in 2018?

Molotok

“We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.”

It is the last line from the final stanza of T. S. Eliot’s The Love Song of J. Alfred Prufrock that the musician/producer Siavash Amini has chosen to take for the title of his newest album on Umor Rex Records. In fact, the entire album is a musical exploration of the predominant themes, motifs, and emotions found in Eliot’s work – not only Prufrock, but also The Waste Land and The Hollow Men.

The tracks on first half of the album are all titled with phrases lifted directly from the poet’s canon and construct a musical landscape as frozen, wistful, and alienated as the words describe. It begins with Eliot’s allusion to death and water from The Waste Land with ‘The Phoenician’ (“Phlebas the Phoenician, a fortnight dead, Forgot the cry of gulls, and the deep sea swell”) and then plunges into emotional depths with one of the most outstanding tracks, ‘Silent Seas’, drawn again from Prufrock and featuring distinctive and haunting ambient guitar sound that Amini has been making very much his own (“I should have been a pair of ragged claws, Scuttling across the floors of silent seas”).

The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails
Wide
To leeward, swing on the heavy spar

A trio of tracks follow, drawn again from The Waste Land, which convey the loneliness and alienation of modern life – ‘The Violet Hour’ (“At the violet hour, when the eyes and back Turn upward from the desk, when the human engine waits“), and ‘The Fog’, & ‘Unreal City’ (“Unreal City, Under the brown fog of a winter dawn”). These tracks are eloquent and delicately layered, but underneath their wintry tone they are churning with pent up and languishing emotion. It would be hard to imagine a more spot on sonic interpretation of silent yearning and muted anguish.

In the second half of the album, Amini alters the gloomy trajectory of the typical outcome for an Eliot protagonist and weaves his own narrative into the sequence. A softer, more ethereal tone is introduced with ‘Yelena’s Theme’. And, although ‘Shade Without Colour’ is taken directly from The Hollow Men (“Shape without form, shade without colour, Paralysed force, gesture without motion”) , a conversation with Amini about the record reveals this track could be seen as a look backwards at Eliotesque feelings before a hopeful step forward. This duality may also be reflected in the title and musical progression of ‘Corridors and Dreams’ (referring perhaps the “contrived corridors” of history from Gerontion?) .

The album concludes with ‘Yelena’ (expanded from a theme to a fully realized song) and ‘The Chair She Sat In’, which could be interpreted less cynically than Eliot intended in the way he used it in The Waste Land (“The Chair she sat in, like a burnished throne, Glowed on the marble”). By the time we have traversed the complete arc, the listening experience is ultimately more redemptive, uplifting and emotionally satisfying.

If you have the good fortune to already be familiar with Amini’s work, you should immediately realize how well suited his style would be to the fertile creative ground he selected and I can assure the music will not disappoint. Till Human Voices Wake Us is a work of depth, finesse, and beauty with a poignant emotional undercurrent that gives it as gripping an immediacy as you are likely to find in a genre that is considered to be characterized by its unobtrusiveness. I have never failed to be delighted and moved by his music, and this album is no exception. Umor Rex will be releasing Till Human Voices Wake Us digitally and on chrome tape cassette packaged on cardboard box 100% recycled, silkscreen printed, and limited to 80 hand numbered copies.

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